Kim Jones’ Final Collection for DIOR Mens Wear

There was thriller from the very first look within the Dior Males Winter 2025 runway present. Dressed fully in black—turtleneck worn with trousers constructed with draped precision—the mannequin gave the impression to be blindfolded with a satin bow to the facet. The bow turned out to be a recurring aspect all through the gathering, a nod to the high fashion icon of Dior. Whereas the couture bow blindfolds have been prompt type standouts (together with one branded with “DIOR”), bows have been additionally employed to adorn the backs of coats, fasten removable sleeves, and canopy toe caps of a spread of footwear.

“Mr Dior’s Ligne H was in our heads even earlier than going into the archive this season,” says Kim Jones within the assortment’s notes. “It has components which might be graphic and angular, which felt eminently transferable into the lads’s world. We believed it was time to deal with Mr Dior once more. We needed to return to the roots and focus on the quintessence of the Home. There’s a sense of trend historical past, notably the historical past of menswear, working via this assortment. The shift from one thing fairly ornate and lavish within the 18th century to one thing extra linear and utilitarian within the nineteenth, with the beginnings of contemporary menswear. But, whereas quite a bit refers back to the historical past of trend, this isn’t historic trend. Finally, on this assortment, we needed to say one thing about now.”

To these of us who’ve been following Jones’ work at Dior, “now” may also be thought-about because the fruits of his time on the Home. From his very first Dior Males assortment, Jones has not solely meticulously pored via the Home’s archives and heritage for references, he has additionally reiterated a way of class that’s carefully related to Dior as a trend home. The Dior Males Winter 2025 assortment takes it up a notch by embodying the Casanova theme however interpreted because the duality of a “girls’ man”. Female nuances derived from girls’s high fashion have both been masculinised or, like that of the aforementioned first look, tailored and styled with extra masculine ready-to-wear items.

Class is available in many varieties all through the gathering. Voluminous constructions (as soon as extra, impressed by girls’s high fashion) are juxtaposed with streamlined items as a manner of introducing drama whereas exuding a contact of the excesses of 18th-century trend. Robes and opera coats, for instance, are belted to additional emphasise their decadent use of supplies. Silks and satins are used for his or her noble end and opulent sheen, particularly on the gathering’s extra pared again silhouettes. Embroidery taken from the Dior Spring/Summer time 1948 high fashion assortment is recreated on the gathering’s closing look—a powerful pink kimono coat with matching masks—and informs the gildings seen in the remainder of the items. A sterling silver chatelaine borrows motifs from the archival embroidery, whereas collar inserts on shirting function embroidered trims.

The Dior Men Winter 2025 show could have began with a mysterious dramatic aptitude, however the subsequent day on the assortment’s resee, there was a palpable pleasure as editors and purchasers fawned over the seems to be up shut. Jones, deliberately or not, managed to faucet into what all of us need in menswear: unrestrained class led to by merely lovely trend. And it’s one thing that he has constantly introduced forth at Dior Males; however with this assortment, much more so.

This text was first seen on Esquire SG

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